Something is wrong. Something is completely wrong. With the sound and with the image. The notes are crooked, the piano lid squeaks, the movement falters. Corrections are needed to bring everything together in harmony and in tune with Johann Sebastian Bach’s beautiful music. 　　Six roles of painted toilet paper are worked on by human hands on an editing table, one after the other. The editing device consists of coloured building blocks and a few wooden sticks. It is a game, a trick, it’s entertainment. At the same time, the simple images on the film strip take us deep into the current events of our time. But the material resists sharply delineated representation. It soaks up the paint and blurs the boundaries. It tears. It is limited. Before the story can pick up speed, the roll is unspooled. Narrative is difficult in view of this situation. And yet animation artist Anna Samo manages, with a very light touch, to transform ambivalent feelings, confusion, rigidity and speechlessness into a work of hope and courage.

Something is wrong. Something is completely wrong. With the sound and with the image. The notes are crooked, the piano lid squeaks, the movement falters. Corrections are needed to bring everything together in harmony and in tune with Johann Sebastian Bach’s beautiful music. 　　Six roles of painted toilet paper are worked on by human hands on an editing table, one after the other. The editing device consists of coloured building blocks and a few wooden sticks. It is a game, a trick, it’s entertainment. At the same time, the simple images on the film strip take us deep into the current events of our time. But the material resists sharply delineated representation. It soaks up the paint and blurs the boundaries. It tears. It is limited. Before the story can pick up speed, the roll is unspooled. Narrative is difficult in view of this situation. And yet animation artist Anna Samo manages, with a very light touch, to transform ambivalent feelings, confusion, rigidity and speechlessness into a work of hope and courage.

When her father inherits an overgrown orchard, Ruby O'Reilly discovers a magic well. She's been designated its new "keeper," and now it's up to her and her friends Mina and Sam to turn unfulfilled wishes into reality.

1714年，巴赫终于升任乐长一职。升职之后，给他布置的工作更加繁重，包括每个月必须完成创作几首新的康塔塔。巴赫生性孤傲，不会阿谀逢迎，对于眼前的处境难以容忍，再加上他要求升职没有得到理会，这时他已经有了四个孩子，生活的负担又加重，他便辞去了魏玛的职务。辞职后，巴赫准备到魏玛公爵儿子在科滕建立的新家庭中担任乐队长，其岳父莱奥波德是一位热情的音乐爱好者。但是魏玛公爵并不想轻易让巴赫走人，甚至把他关进了监狱。但是最终巴赫终于获得自由。

Widower, Mark Jansen, owns and runs the local newspaper for the Midwest town he grew up in. As he struggles to make ends meet, his daughter takes his happiness into her hands by going down to the famous wishing well their little town is known for, and wishing for just that - his happiness. Shortly after, a glamorous woman appears in town by the name of Cynthia Tamerline. Lead by Mark's daughter, Cynthia makes a trip to the well herself and casts a wish. When she wakes up the next morning, she finds that she has been transported to an alternate universe that ultimately changes her forever.

Following his mother's wishes, Jo, a reclusive young tailor from Tokyo embarks on a solitary journey across Japan.

A talented wedding photographer, at a crossroads with his own marriage, reflects on tales of past clients and the hope, adversity and romance that holy matrimony brings. Starring as the photographer, football great Joe Namath narrates the unconventional tales of three couples: Judd Hirsch and Melinda Dillon as a twosome who have married and divorced multiple times and who are on the verge of repeating their mistake; an anxious newlywed who prefers the "freedom" that living together allows; and Jack Albertson as an aging comedian who wants to marry his much younger secretary despite the disapproval of his son.

An unusual assignment for a private investigator involves two women who are in love with the same man.

Romantic comedy following four couples who meet through a dating website. Four men go on a heroic mission to help four women and wind up experiencing a series of mishaps.